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Since founding Netflix in 1997, Reed Hastings has had plenty of opportunities—and no shortage of invitations—to start collecting art. But it’s only now, three years after ascending from C.E.O. to executive chairman, that Hastings has gotten into art in a big and rather visible way: creating an art park on Utah’s Powder Mountain, the ski resort he acquired soon after stepping back from day-to-day management of the company he’d led for 25 years. The Powder Art Foundation is accessible to the public year round—by foot, by ski, by mountain bike.